人们常说的“大隐于市”
其实源于内心对朴素日常的趋往
对东方意境的追溯
People often say “big hidden in the city”
In fact, it stems from the inner desire for simple daily life
A retrospective of oriental artistic conception

“万物皆有裂缝 那是光进来的地方”

“Everything has cracks. That’s where the light comes in”

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当我们第一次接触MAY MIX时就被他们一丝不苟的态度所触动,保证顾客在每次到来时的亲身与多重感官的体验是他们创立以来一直坚持的原则与标准。在服务过程中,他们将艺术融入到每一次的动作,从形式到体验所表达的语义都在向顾客们传达着一种趋向于生活的艺术,给顾客们带来一种全新的艺术体验方式。

When we first came into contact with MAY MIX, we were touched by their meticulous attitude, ensuring that customers have a personal and multi-sensory experience every time they arrive, which is the principle and standard they have adhered to since their establishment. In the service process, they integrate art into every action, from the form to the semantics expressed in the experience are conveying a kind of art tending to life to customers, bringing customers a new way of art experience .

该项目的设计旨在为顾客们带来一个有“态度”的空间,在当代的时尚的语义环境下重现一种朴实淡雅的氛围。设计师从材质的角度出发,感官与空间的巧妙组合,将MAY NIX对于美独有的态度注入到空间的每一寸肌理中。

The project is designed to bring customers a space with an “attitude” that recreates an unpretentious atmosphere in a contemporary, stylish semantic environment. From the point of view of materials, the designer combines the senses and space ingeniously, injecting MAY NIX’s unique attitude towards beauty into every inch of the texture of the space.

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Δ 轴测分析图

01线与艺术

LINE&ARTING

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设计理念自传统中提炼出的东方意境出发,用中饱和度和对比度的橡木、微水泥材质主导空间材质,致敬传统居所中“木”与“土”的元素。

The design concept starts from the oriental artistic conception extracted from the tradition. Oak and micro-cement materials with medium saturation and contrast are used to dominate the space materials, paying tribute to the elements of “wood” and “earth” in traditional residences.

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光影随着自然的韵律与天然石灰涂料包裹的墙面肌理交织,散射到空间中变得立体,氛围愈发柔和,像一位老友,彼此熟悉,随性真诚。

The light and shadow interweave with the natural rhythm and the texture of the wall wrapped in natural lime paint, diffuse into the space and become three-dimensional, and the atmosphere becomes softer and softer, like an old friend, familiar with each other, casual and sincere.

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不去追求流行,也不过度的堆砌设计语汇,甚至于不去追求明亮与饱和。家的氛围是自然形成的温柔与温暖,寂声且寂色。

Do not pursue fashion, nor excessively pile up design vocabulary, or even pursue brightness and saturation. The atmosphere of the home is the gentleness and warmth formed by nature, quiet and quiet.

02立体的形态

3-DIMENSIONAL FORM

把空间进行切割、重组,呈现出一种分散却又统一的不确定感,多层次的体块之间的关系,视线贯穿,空间始终是丰富而又活泼的。

The space is cut and reorganized, showing a sense of uncertainty that is scattered but unified. The relationship between the multi-level blocks, the line of sight runs through, and the space is always rich and lively.

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我们在意空间的真实感,因为这于我们是有共鸣的,是熟悉的,安心的;它不是单一的,是立体的,丰富的,是视觉、触觉、精神、情感和记忆的共鸣,这种共鸣使我们觉得置身其中,一切都是这么自然而然的存在和发生。

We care about the reality of space, because it resonates with us, is familiar and reassuring; it is not single, it is three-dimensional and rich, it is the resonance of vision, touch, spirit, emotion and memory. The resonance makes us feel that we are in it, that everything exists and happens so naturally.

情感被光包裹的片刻,是我们与外界纷扰的抽离,精神归于平静。这是简单普遍的形式,却是不可替代的特殊存在。

The moment when our emotions are wrapped in light is our separation from the outside world, and our spirit returns to peace. This is a simple and universal form, but it is an irreplaceable special existence.

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跟传统设计中所讲究的美学不同,设计师在这个项目中主张“低饱和色”,呈现一种不对称却包容的美。几何体块和异形的穿插,再搭配奶咖色,空间丝滑流畅,营造温柔的治愈感。整个空间开放大气,去掉不必要的细节和线条,通过空间的巧妙分割,设计师希望让室内变得有趣而灵动。

Different from the aesthetics emphasized in traditional design, the designer advocates “low-saturation color” in this project, presenting an asymmetric but inclusive beauty. Interspersed with geometric blocks and special shapes, combined with milk coffee color, the space is silky and smooth, creating a gentle sense of healing. The whole space is open and atmospheric, and unnecessary details and lines are removed. Through the ingenious division of space, the designer hopes to make the interior interesting and flexible.

03以大地之名

THE NAME OF THE EARTH

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光于我们,绝不止视觉上的明与暗,体感上的冷与暖,它崇高而神圣,却又亲密无间。一天之中的不同时刻,我们似乎都在等待与光接触的瞬间,这种难以琢磨却又有迹可循的变化令我们着迷。

The light to us is not only visual light and dark, physical cold and warm, it is sublime and sacred, but intimate. At different times of the day, we seem to be waiting for the moment of contact with the light, and we are fascinated by this elusive yet traceable change.

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空间墙顶面的色系上,设计师普遍采用了大地色系,中性暖色是调色盘中永不过时的经典,温暖又舒适,优雅又高级。低饱和度的柔和色调,不张扬,不媚俗,它既不像高饱和度的彩色系一样活泼奔放,也不像黑白那样简洁,它呈现的是一种温暖的,舒适的,平静优雅的空间,置身于其中可以让人身心放松。

For the color system on the top surface of the space wall, the designer generally adopts the earth color system. The neutral warm color is a timeless classic in the palette, which is warm and comfortable, elegant and high-end. Soft tones with low saturation, not unassuming, not kitsch, it is neither as lively and unrestrained as high-saturation color, nor as simple as black and white, it presents a warm, comfortable, calm and elegant space , you can relax your body and mind when you are in it.

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04线条交织

INTERLACING OF LINES

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无框的玻璃弱化了室内与户外自然的边界与距离,漫步其间,与自然的亲密联结被释放,使人本能地慢下来,呼吸轻而缓,精神回归平静。时间与光影的变换流转被静静地捕捉、记录,对谈耳语间是时间和情感的流动交融。

The frameless glass weakens the boundary and distance between indoor and outdoor nature. During the walk, the intimate connection with nature is released, which makes people instinctively slow down, breathe lightly and slowly, and the spirit returns to calm. The transformation of time and light and shadow is captured and recorded quietly, and the conversation and whisper are the flow and blend of time and emotion.

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空间中的体被直线条清晰地雕刻出来,而这些体模糊了空间的界线。我们对空间划分选择性地做减法,不被定义的多元空间被体块构建连结,弱化了具有明确功能的空间单元划分,流动,通透,坦然。

The volumes in the space are clearly carved by straight lines, and these volumes blur the boundaries of the space. We selectively subtract the space division, and the undefined multi-dimensional spaces are connected by the building blocks, which weakens the division of space units with clear functions, flowing, transparent and calm.

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不定义使空间自然而然地衍生出超出自身限制的可能性,简明却更丰富。它来源于居者的感知和度量,以及空间与思想达成和谐一致而引发的情感共鸣。

Not defining makes the space naturally derive the possibility beyond its own limitations, concise but richer. It comes from the perception and measurement of the occupants, as well as the emotional resonance caused by the harmony between space and thought.

以入眼细腻的微水泥地面奠定基本调性,而暖色材料唤起的暧昧性联想,消除了事物的边界,空间浮现出一种迷幻气质。隔而不断的墙面,作为空间改造的具体策略,增加了清透感与轻快感,似一片正在延展着的巨大的帘幕。

The basic tonality is established by the delicate micro-cement floor, and the ambiguous association evoked by the warm-colored materials eliminates the boundaries of things, and the space emerges with a psychedelic temperament. The continuous wall, as a specific strategy for space transformation, increases the sense of clarity and lightness, like a huge curtain that is extending.

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MOOTHAN. DESIGN,运城MAY MIX·头皮SPA,头皮SPA店,商业空间,MAY MIX·头皮SPA,末染设计,末染设计作品,头皮SPA店设计

Δ平面布置图 Layout plan

社交媒体以其易传播性扩大了建筑的交流属性,但实践过程总伴随着困难与挑战。品牌在介绍其理念时说“每一棵植物能在自己的每一粒种子中再度萌发”,但愿我们的工作也能把永续利用的环保观念,重新带回到每个人的日常生活中。

Social media has expanded the communication properties of architecture with its easy dissemination, but the practice process is always accompanied by difficulties and challenges. When the brand introduced its concept, it said that “every plant can germinate in every seed of its own”. I hope our work can also bring the concept of sustainable use of environmental protection back to everyone’s daily life. .

距离现实仅仅五步之遥,我们穿梭在未来与过去,惊喜与想象不断更替的感官空间,把不同的消费业态融合于一体,予以观者跳脱真实的异想空间。

Only five steps away from reality, we shuttle in the future and the past, the sensory space where surprise and imagination are constantly changing, and integrate different consumption formats into one, allowing the viewer to escape from the real whimsical space.

项目信息
案设计师/孟飛
Lead Designer/Meng Fei
灯光设计/三宜·想天照明
Lighting design/SANTAN
项目位置/山西·运城
Location/Yuncheng, Shanxi Province
项目面积/110m²
项目面积/m²ea /110m²
项目类型/商业空间
Project Type/Commercial space
摄影/RICCI空间摄影、双备
Photography/Ricci spatial photography,Shuangbei

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