建筑改造之柏林Michelberger酒店翻新设计-设计风向

总部位于伦敦的Jonathan Tuckey Design和丹麦Sigurd Larsen建筑师翻新了柏林的Michelberger酒店的大堂和客房。Michelberger酒店现在拥有23个房间和一个能自由活动的大堂区域与一些新的家具。

London-based Jonathan Tuckey Design and Danish architect Sigurd Larsen have updated the Michelberger hotel in Berlin, refreshing its lobby and guest rooms.The Michelberger now boasts 23 additional rooms and a rejuvenated lobby area with new fixtures and furnishings.

这家酒店于2009年开业，位于Oberbaum桥旁，以前是一家照明工厂。它最初是由设计师Werner Aisslinge和二人组Anja Knauer和Sibylle Oellerich设计的，他们在整个室内设计中使用了跳蚤市场的家具和廉价材料。位于伦敦西部的Jonathan Tuckey设计工作室的任务是设计最新系列的套房，这些套房位于酒店的四楼。空间看起来极简，但充满温暖、魅力和谦逊，并采用了各种朴实的色调。

Opened back in 2009, the hotel occupies a former lighting factory beside Berlin’s Oberbaum Bridge. Its low key aesthetic was originally developed by designer Werner Aisslinger and styling duo Anja Knauer and Sibylle Oellerich, who incorporated flea-market furnishings and inexpensive materials throughout the interiors.West London-based studio Jonathan Tuckey Design was tasked with creating the latest series of suites, which sit on the hotel’s fourth floor. Intended to look minimalist yet “full of warmth, charm and humility”, the rooms have been decked out in a variety of earthy tones.

灰白色的墙壁与蘑菇色的地板搭配，还有沙黄色的窗帘和床罩。床架、搁架和床头柜都是由浅色胶合板制作而成，这种胶合板在制造过程中分泌出天然树脂，使其外观略显陈旧，水磨石瓷砖用于整个浴室。

Off-white plaster walls have been paired with mushroom-coloured floors, along with sandy beige curtains and bed throws.Bed frames, shelving units, and side tables have been crafted from light-hued Panerholz—modified plywood which secretes natural resins during the manufacturing process, lending it a slightly time-worn appearance. Terrazzo tiles have been used throughout the bathrooms.

选择的材料必须是有触感的，并且要融入到工业环境中，随着时间的推移，这些材料会优雅地老化，甚至更加嵌入室内空间。

“The materials selected had to be tactile and appear nestled within the industrial setting, which would age gracefully and become even more embedded into the interior spaces as the years went by,”.

在大厅里，丹麦建筑师Sigurd Larsen悬挂了Berlin Art Glas公司制作的一系列造型大胆的琥珀色枝形吊灯。这些灯泡以“不完美”的玻璃球封装成一串一串的灯泡为特色，意在向上世纪五六十年代的产品设计致敬。Larsen还决定保持大堂的布局，只是简单地用新的木制沙发取代现有的座位。

In the lobby, Danish architect Sigurd Larsen has suspended a series of bold, amber-coloured chandeliers made by Berlin Art Glas. Featuring bunches of lightbulbs encased in “imperfect” glass spheres, the lights are meant to nod towards 1950s and 1960s product design.Larsen otherwise decided to maintain the lobby’s arrangement and simply replace the existing seating with new timber sofas.