Studio11 | 明斯克Studio11设计工作室-设计风向

这个办公室是Studio11工作室的工作空间，这是一个来自白俄罗斯的年轻的建筑师和设计师团队，总部设在明斯克。空间布局包括两个工作室、一个厨房、一个单独的房间、材料样品间和卫生间。空间在建立初期没有任何风格定位，空间的风格是逐渐形成的。可以说，这个空间集合了团队的专业偏好，是设计中个人设计理念的表达。其中一个元素是我们为室内项目开发的陶瓷模块。像这样的东西对团队来说非常珍贵，它们充满了个人历史和内在意义。

This office is the workspace of Studio11 – a young team of architects and designers from Belarus – and is based in Minsk. The layout consists of two workrooms, a kitchen, a separate room with materials and samples and a water closet. The interior did not have any initial stylistic orientation and was formed gradually. It is safe to say that this space gathers up our professional preferences and is a physical expression of personal philosophy in design. Here one can find a number of techniques and objects that were used in our projects. One such element is a ceramic module which we developed for one of our interior projects. Things like this are very dear to us they fill the workspace with personal history and additional internal meaning. Such things are very dear to us. They fill the workspace with personal history and additional internal value.

总的来说，我们的办公室是从现代潮流的角度重新诠释现代主义艺术。内部功能齐全，并结合形状和颜色上进行了设计。粗糙的混凝土地板，涂上浅灰色，地板可以看见所有毛孔和裂缝。天花板是钢筋混凝土板的表面。墙面部分漆成蓝色色调，墙面的顶部采用有磨损的白色石膏饰面。窗帘具有相同的色彩布局，增加了墙面的构图完整性。空间有一个相当小的玻璃砖墙隔断，这个设计展示了这种材料的价值。

In general, our office is a reinterpretation of the modernist artistic thrust from the perspective of modern trends. The interior looks functional, sterile and is compositionally verified in shape and colour. The floor is a rough concrete screed painted in light grey, almost white colour. The surface is very lively, keeping all the pores and cracks. The ceiling is nothing more than the surface of reinforced concrete slabs. The walls are partially painted in a complex blue hue in one horizontal level, and the top of the walls has a worn white plaster finish. The curtains have the same colour layout, which adds compositional integrity to the walls. There is one rather small wall partition that is made of glass blocks, which showcases the value of this magnificent material.

厨房区域的核心部分是一个中岛，上方悬挂着圆形吊灯。中岛和吊灯与墙壁一起构成了一个清新完整的画面。主工作室的墙壁被一幅年轻的白俄罗斯艺术家扎哈尔库丁(Zakhar Kudin)的巨幅画作点燃。这幅画的大胆精神使人想起上个世纪初野兽派作品。这种表达方式释放了空间的拘束性，它身旁的创新沙发床与这幅画构成完美的画面，创造了相当精致的形象。在这喧嚣空旷的空间里，舒适的环境是由绿色植物、平面作品、苏联时期的家具以及各种面料、材料和产品的样品创造出来的。

The centrepiece of the kitchen area is a clean volume of salmon colour dining island with airy round pending lamps. Together with the walls, the island and the light balls create a clear formal composition of colour and shape. The wall of the main workspace is set on fire by a huge painting of a young Belarusian artist Zakhar Kudin. The bodacious spirit of the painting reminds of the Fauvists’ works of the beginning of the previous century. Such expression organically smooths the restrained character of space. The composition is complemented by a nearby standing Innovation daybed. Together they create a rather fin de siècle image of a modern interpretation of the “Barcelona Day Bed” by Mies van der Rohe set against a Matisse story. The cosiness in this loud emptiness is created by green plants, graphic works, furniture of the Soviet period and all kinds of samples of fabrics, materials and products.