Bernard Dubois | 巴黎PNY怀旧风汉堡餐厅-设计风向

相信巴黎会有一家看起来非常精致的汉堡餐厅，比如比利时建筑师Bernard Dubois设计的圣安东尼郊区PNY on Rue du Faubourg Saint-Antoine。这是这家连锁店在巴黎第11区开设的第6家分店。Dubois以模糊不同风格流派之间的界限而闻名，他为该餐厅的设计借鉴了多种多样的元素。

Trust Paris to have a damn sophisticated looking burger restaurant, such as the likes of PNY on Rue du Faubourg Saint-Antoine by Belgian architect Bernard Dubois. On a self-proclaimed mission to make the best burgers the French capital has ever seen, this is the chain’s sixth outpost in the lively, trendy 11th arrondissement. Known for blurring the lines between various stylistic genres, Dubois drew on diverse references for the restaurant’s design.

作为一家汉堡店，Dubois的出发点显然是典型的60年代餐厅，再通过后现代主义和80年代的视角颠覆了这一点。一系列由深色木材镶板制成的隔墙将长而相对狭窄的空间分割开来。墙壁很厚，边缘是闪亮的黑色，与天然木材形成对比，形成一个椭圆形的形状，通过它可以看到餐厅。墙壁的设计直接参考了瑞士建筑师Mario Botta 1988年在瑞士Novazzano区的住房建筑。

Being a burger restaurant, the obvious starting point for Dubois was a typical ‘60s diner, which he subverts through the lens of post-modernism and the ‘80s. The classic booth design is revisited via a series of partition walls made of dark timber panelling, implemented in order to fragment the long and relatively narrow space. The walls are thick, edged in shiny black to contrast the natural timber, and form an oblong shape through which the restaurant is viewed. The walls are a direct reference to Swiss architect Mario Botta’s 1988 housing building in the Novazzano district of Switzerland.

对于椭圆形开口，Dubois的灵感来自Hans Hollein的Retti Candle Shop。这些隔板堆叠在一起，创造了一个深层和分层的视角，由柔和的灯光和聚光灯照亮。厨房处于隧道般的视觉尽头，由Dubois构思为一个寒冷而简约的实验室，与引人入胜的餐厅内部形成鲜明对比。

For the oblong shaped opening, Dubois was inspired by Hans Hollein’s Retti Candle Shop. Stacked behind one another, the partitions create a deep and layered perspective warmly illuminated by subdued lighting and a spotlight. The kitchen is at the very end of the tunnel-like vision, conceived by Dubois as a cold and minimal laboratory in contrast to the inviting restaurant interior.

镜面面板使墙壁彼此面对，增强了无限的视角。定制的三脚椅子采用黑色皮革装饰，让人想起筱原一男的蝴蝶小姐。宴会座椅让人回想起老套的餐厅美感，珊瑚复合地板将人们拉到了80年代。酒吧设有开放式货架，上面堆满了啤酒和葡萄酒。

Mirrored panels line the walls facing each other, enhancing the infinite perspective. Custom three-legged chairs upholstered in black leather are reminiscent of Kazuo Shinohara’s Miss Butterfly. Banquet seats hark back to the stereotypical diner aesthetic, pulled into 80s territory with coral laminate floors. A bar features open shelves busily stacked with beer and wine.