DNA邸内设计 | 245㎡,杭州 Lake Residence 湖畔屋-设计风向

该项目是位于杭州的一个湖边私人住宅，原本六室两厅的分配不符合屋主二人世界的生活需求，我们在设计方案中拆除了北面两间卧室，重新规划了客厅、书房、餐厅的空间关系，使其更符合大平层的空间视野。我们将天然材质结合留白空间，以及独特的软装搭配，尝试了和以往不同别具一格的风格。

The project is a lakeside private residence located in Hangzhou. The original structure allocation did not meet the owner’s requirements. In the design scheme, we removed the two bedrooms on the north side, and rearranged the spatial relationship between the living room, study and dining room to make it more in line with the spatial vision of the large flat floor. We combine natural materials with white space, as well as unique soft outfit collocation, trying to have a unique style with the past.

玄关作为进入客厅的缓冲区域，设计了充足的收纳功能，并且采用了更易打理的地面材质以及罗马柱装饰构件来区分界限。

Porch designed enough receiving space as the buffer area that enters the living room, and uses easy-to-clean floor materials and Roman column decorative elements to distinguish the boundaries.

客厅改造之后拥有8.6米的大间距，我们划分了以壁炉为中心的围炉区和以电视为中心的影视区两个区域，重新组合了客厅家具的摆放。Daybed取代了传统的沙发功能，它更能表现家具的多功能和自由的空间关系。

After the renovation, the living room has a large spacing of 8.6 meters. We divided the furnace area and the film area, and recombined the placement of the living room furniture. Daybed replaces the traditional sofa, it can more express the multi-function and free spatial relationship of furniture.

这把来自1943年设计的Pernilla chair，其设计师Bruno Mathsson非常善于研究人体工学，使得这把休闲椅具有极佳的舒适坐感。我们将它摆放在此，享受壁炉的暖意同时也能观赏窗外的湖景。或许在一个惬意的午后，坐上这把椅子几秒钟便能让自己的思绪放飞远去。

The Pernilla chair designed by Bruno Mathsson in 1943, and the designer is good at ergonomics, which makes this leisure chair with excellent comfortable sitting feeling. The reason we put the chairs here is to enjoy the warmth of the fireplace and also to look out of the window view. Perhaps sitting in this chair for a few seconds on a pleasant afternoon will let your thoughts drift away.

客厅处于整个住宅的汇聚点，连接了玄关、餐厅、书房、公卫。在设计中，我们想要突出松弛和宽容的居住氛围，大多数选用了天然且具有亲和力的材质，大面积的留白为软装的多样性提供了更好的表现空间。

The living room is at the convergence point of the whole room, connecting the porch, dining room, study, public toilet. In the design, we want to highlight the relaxation and tolerance of the living atmosphere, most of the selection of natural and affinity materials, a large area of white space for the diversity of soft decoration to provide a better performance space.

美国艺术家Christopher Wool最有代表性的字母版画，在空间里有非常高的辨识度。

American artist Christopher Wool’s iconic alphabet prints are highly recognizable in space.

我们把原本狭长的主过道拓宽至1.8米，并以玻璃代替书房的隔墙引入室外采光，搭配特别定制的1.5米超大人字地板，铺设出整齐有序的导向纹理。

We widened the original corridor to 1.8 meters, and replaced the partition wall of the study with glass to introduce outdoor lighting, combined with the customized 1.5 meters super-large herringbone floor, laying orderly guiding texture.

通过两个不同尺度的拱形门洞作为餐厅空间的界限，也颇具趣味性。

It is also interesting to use the two arched doors of different scales as the boundaries of the dining space.

外界环境色彩对室内空间的映射是最好的天然“滤镜”。

The best natural “filter” is the mapping of the colors of the external environment to the interior space.

厨房的墙面纹理我们选用了大胆的搭配风格，黑灰色随机的纹理似乎想要打破厨房无聊的工作氛围。

We chose a bold matching style for the wall texture of the kitchen. The random texture of black and gray seems to break the boring working atmosphere of the kitchen.

卧室的主要功能是休息，相比下材质和色彩则更加克制，我们使用了柚木色作为主要元素，能让房间氛围更显沉稳和理性。

The main function of the bedroom is rest, and the use of materials and colors is more restrained. We used teak as the main element to make the room atmosphere more calm and rational.

床头的一侧借用了部分空间做了内凹处理，用于放置落地挂衣架，来存放主人的外套大衣等。

Part of the space beside the bed is concave to place a hanger to store coats.

独立的梳妆间是为女主人设立的专属空间。

Dressing is the exclusive space that establishes for hostess.

次卧的当下还没有固定的使用者，我们设计中尽可能的去掉年龄、性别、风格等因素，希望通过家具和床品等软装变换来满足不同人的使用。

There are no fixed users in the second bedroom. We remove age, gender, style and other factors in the design, hoping to meet the needs of different people through the transformation of soft decoration such as furniture and bedding.