设计结合有空间美学、空间颜色、空间情绪化处理以及威士忌文化，是这个区域的氛围式酒吧标志建筑，同时也是本地居民和旅游者聚集和放松的场所。
The design combines spatial aesthetics, spatial color, spatial emotional treatment and whisky culture. It is also a ambient bar landmark in this area, and also a place for local residents and tourists to gather and relax.
在本次的设计中融入了哥特式建筑元素；将十三至十五世纪的建筑风格融合到二十一世纪、且不限于教堂、修道院等范围更广、更意想不到的情景中来。而在第二稿的终稿里，设计将哥特元素进行修改，使它更加现代化，甚至更加时间化。使得在最终的设计里没有太多定向的东西，却呈现出大量的想象性：你可以将它看作是一个时间胶囊，可以将它看作是一辆行驶中的列车，又或者是它的本身，一家Whiskey Bar。除此之外空间的情绪化处理也在这里得以展现：浓郁的威士忌就和生活一样，都带着一定程度的“欺骗性”，且时间越久，欺骗的色彩就越浓烈，围绕着酒，让时间在酒里“可视化”；这，也是这次设计的主题。
Gothic architectural elements are integrated into this design; the architectural style of the thirteenth to fifteenth centuries is integrated into the 21st century, not limited to churches, monasteries and other broader and more unexpected scenes. In the final draft of the second draft, the design modifies the Gothic element to make it more modern and even timely. So that there is not much directional in the final design, but there is a lot of imagination: you can think of it as a time capsule, you can think of it as a running train, or it itself, a Whiskey Bar. In addition, the emotional treatment of the space can also be displayed here: strong whisky, like life, has a certain degree of “deceptiveness”, and the longer it takes, the stronger the color of deception, revolving around the wine, so that time can be “visualized” in the wine; this is also the theme of this design.
整体色调使用了红黄蓝三种色，主色调为热烈的红色，黄和蓝则为辅助色。与以往不同的是，在这里，红色并非作为暖色调去呈现，而是作为冷色调，呼应杯中威士忌在光的映射下似红非红的光芒；蓝色则是一簇火苗，点燃每一片红色的灼热。再通过红色来对空间氛围感进行拉伸，并将空间情绪最大化的同时用红色去诠释设计师想要表达的“欺骗性”以及“时间可视性”这种云里雾里模糊不清的概念。
The overall tone uses three primary colors: red, yellow and blue. The main tone is warm red, yellow and blue are auxiliary colors. Unlike in the past, red is not presented as a warm tone, but as a cold tone, echoing the light of whisky in the glass as red and non-red under the reflection of light; blue is a cluster of flames that ignites the heat of each piece of red.Then stretch the sense of space atmosphere through red, and maximize the spatial mood while interpreting the vague concepts of “deception” and “time visibility” that designers want to express with red.
因而，把这些哥特式的东西放到Whiskey Bar中就是一次创新的开始。设计，它是一个延伸的过程，你永远无法预料在这过程中会蹦出什么新的东西来，好比创新后的颠覆，也就是你现在所看到的 红 LOUNGE。
Therefore, putting these Gothic things in the Whiskey Bar is the beginning of innovation. Design is an extended process, and you can never expect anything new to pop up in the process, just like the subversion after innovation, which is the final design of the Red LOUNGE you see now.
剔除掉哥特，保留下它的“时间感”，尖拱更换成方圆，使之从文艺复兴瞬间跨越至21世纪，给予你无限的想象空间，它可以是一个时间胶囊、一辆行驶的列车、一处令人流连忘返感受时光灌进威士忌中在清醒与曼妙醉梦中穿梭的地方。甚至可以幻想到，那位“冷抽象”代表 —— 蒙德里安，坐在吧台前喝着麦芽威士忌的画面。
Replace the pointed arch into a square circle, so that it can leap from the Renaissance to the 21st century in an instant, giving you unlimited imagination. It can be a time capsule, a running train, a unforgettable feeling that time pours into whiskey and wears in a sober and wonderful drunken dream. Shuttle place. You can even imagine that the “cold abstract” representative, Mondrian, sat at the bar drinking malt whisky.
圆弧式的吊顶，使整个空间看起来更加地柔和，红色墙面颠覆了 “红色” 作为色彩本身喜庆的寓意，塑造出Whiskey Bar独有的“冷抽象”式氛围；而吧台与酒柜则采用了弧形设计，饱含中世纪和维京时期的怀旧浪漫风格，同时也增加了空间的科技感；弧形吧台以及弧形灯轨就正如杯子中流动、碰撞、又反复的威士忌，环绕在其中。
The arc suspended ceiling makes the whole space look softer. The red wall subverts “red” as the festive implication of the color itself, creating the unique “cold abstract” atmosphere of Whiskey Bar; while the bar and wine cabinet adopt an arc design, full of the nostalgic romantic style of the Middle Ages and Vikings, and also increases the sense of technology of the space; the arc bar and the curved lamp rails are surrounded by whisky flowing, collision and repeated in a cup.
空间中的“时间可视化”在此看来，似乎便是在流逝的时间里人们行动的痕迹，所有的人都如同巨大的运动，人们沉浸其中。当他们将视野放大，观看这样庞大而不知所终的运动时，在当下这一刻，在自身命运和时间里，人们的存在是如此倏忽而短暂。
In this view, the “time visualization” in space seems to be the traces of people’s actions in the passage of time. All people are like huge movements, and people are immersed in it. When they enlarge their horizons and watch such a huge and ignORIENT movement, at this moment, in their own destiny and time, people’s existence is so transient and short.
通过“红“，让原本没有交集的你我，瞬间拉近距离，理解彼此内心的情绪。
Through “red”, let you and I, who had no intersection, instantly get closer and understand each other’s inner emotions.
∇ 平面图
项目信息
项目名称：红Lounge Whisky Bar
设计方：陈卓军
项目设计 & 完成年份：立项时间：2021-3/完成时间：2021-9
主创及设计团队：项目地址 杭州城西银泰城1F
建筑面积：130m²
摄影版权：光圈漫游映画
合作方：杭州却月凌风装饰
客户：红Lounge
品牌：使用主材：长虹玻璃、不锈钢、LED、马来漆、水磨石、大理石
