探索事物于不同角度的发散认知,以相对述平化的方式
Explore the divergent cognition of things from different angles, in a relatively flat way
来阐述其内在诸多的复杂可能性,挖掘更多不同的生活方式探讨和对人性的再思考,让空间更具可考究及情感共鸣的建立…
To elaborate its many complex possibilities, explore more different ways of life and rethink human nature, so that the space can be more tractable and the establishment of emotional resonance…
∇ 选址_瞰图
相关介绍/
1954年创立于美国德克萨斯州休斯顿市，总占地面积为500英亩（约202万平方米），同时又经美国制冷协会AHRI认证，迄今为止是美国最成功的HVAC全空气系统生产商，始终坚持美国原厂制造，相关市场占有率居美国第一。
其所带来的是全新的“由享受型向健康型转变”的家用空调理念。
理想居所应该是对人类理想生活方式的容纳。
秩序
于‘间隔’来区分构造
Order
In the ‘interval’ to distinguish the structure
以‘斜向’的格局内切割，来作为动线交织的引入和过渡，切换块面构造的同时，于现有格局建立内‘秩序’的变化。
The “oblique” pattern cutting is used as the introduction and transition of the dynamic line interweaving, and the change of the “order” in the existing pattern is established while the block plane structure is switched.
以‘内建造’的方式来嫁接相邻模块的脉络和关系，使其保持独立性的同时，呼应整体，辅以动线的交织与所建立的互动。
In the way of “internal construction”, the vein and relationship of adjacent modules are grafted, so that it maintains independence while echoing the whole, supplemented by the interweaving of moving lines and the established interaction.
以独立‘盒体’搭建的方式来连接抬高处，底部悬空处理，内置泛光的形式来强化相邻层次的关系，半高人视高度以下，以外凸的玻璃材质来‘虚化’分区的界限，使其建立更多的关联可能性。
An independent “box body” is built to connect the elevation, the bottom is suspended, the form of built-in flood light to strengthen the relationship between adjacent levels, the semi-high human eye height below, the convex glass material to “blur” the boundaries of the partition, so that it can establish more correlation possibilities.
入户后的柜体采用半弧面的方式来弱化进门后的视觉厚重感，借由形体来引导行走的动线方式，转而接至抬高区的外凸部分，四周保留原有结构的扇形构造，曲径视觉至动线的环绕。
After entering the home, the cabinet adopts a semi-arc to weaken the visual weight after entering the door, guides the walking line by the form, turns to the convex part of the raised area, retains the fan structure of the original structure around, and the curved vision is surrounded by the moving line.
有别于‘私宅’方向的思路外散，对于商空项目来讲，至关重要，打开各自独立存在的功能位面，使其建立更多的维系，不止于功能使用及空间阶段的体验，更倾向创造更多的‘定位属性’探讨和碰撞，跳脱私宅的‘独立功能块面’而至整体性空间输出，这点尤为重要，也是我们对于两者的定位和区分理解。
Different from the “private house” direction of thinking, for the commercial space project, it is crucial to open their independent functional plane, so that it can establish more maintenance, not only functional use and spatial stage experience, but also more inclined to create more “positioning attributes” discussion and collision, skip the private house “independent functional block plane” to the overall spatial output, which is particularly important. It is also our understanding of the positioning and differentiation of the two.
场所
由块面‘秩序’来建立界限，结合功能使用的形体切换，使其‘围合’至独立空间的建立。
Venues
The boundary is established by the block surface ‘order’, combined with the functional use of the form switch, so that it ‘encloses’ to the establishment of independent space.
由侧至右向的动线引导，借助柜体的‘遮掩’来引入过区的理念波及，让穿行动线以置边缘化的形式来出现，制造内场景的交互及融合。
Guided by the moving line from the side to the right, the concept of passing the area is introduced with the help of the “cover” of the cabinet body, so that the passing line appears in the form of marginalization, and the interaction and integration of the inner scene are created.
整体至于抬高处的层次嫁接，以‘功能柜体’来作为边界的强化，使其建立起内轮廓的使用区域，释放独立区块的密闭性，以开敞来环绕自由的流动。
As a whole, the layer grafting at the elevation is strengthened by the “function cabinet” as the boundary, so that it establishes the use area of the internal outline, releases the tightness of the independent block, and opens up to surround the free flow.
尺度
由‘比例’作为内开间的度量尺。
Dimensions
The “proportion” is used as the measuring scale of the inner space.
由近至深的尺度缩减再有扩，制造渐进的压缩式心理转换，接至缓冲区，作为分区之间串联动线的交汇，而延伸至回形廊道的流畅。
The scale from near to deep is reduced and then expanded, creating a gradual compression psychological transformation, connecting to the buffer zone, as the intersection of the series of linkage lines between the partitions, and extending to the flow of the circular corridor.
顶部采用‘井’字金属框架的形式来处理，区别墙地面的逻辑而独立存在，柜体高度不到顶的‘间隔’来完整灯光的照度区域。
顶部柜体的横板采用金属的形式来连接彼此相邻的柜体块面，搭至打印区的翻边形体，使其松散的体块元素归于整体，且又可单独存在。
The top is processed in the form of a “well” metal frame, which distinguishes the logic of the wall ground and exists independently, and the “interval” of the cabinet height does not reach the top to complete the illumination area of the light.
The horizontal plate of the top cabinet adopts the form of metal to connect the adjacent cabinet block surfaces to the flanged shape of the printing area, so that the loose block elements belong to the whole and can exist separately.
作为体块之间的‘嫁接’，于盒体而置于台阶之上，采用底部悬空的结构处理，使其以‘浮’的介质半联通相邻分区，实现对应错层的视觉落差。
As the “graft” between the blocks, the box body is placed on the step, and the structure of the bottom is suspended, so that it is semi-connected to the adjacent partition with the “floating” medium to achieve the visual drop corresponding to the split-level.
考虑层高本身具备的优势，内置双层抬高来上延地面与墙面的关系梳理，连接且分断的同时，优化空间层面的视觉错落秩序，以此来渐进流线的行走。
Considering the advantages of the height itself, the built-in double-layer elevation can sort out the relationship between the ground and the wall, connect and break at the same time, optimize the visual dislocation order of the spatial level, so as to gradually walk the streamline.
切入
以‘物件’来内置格局
Cut In
Use ‘objects’ to build patterns
以‘盒体’的概念切入来作为置于空间格局内的‘障碍体’，让其围绕而交错，借由空洞开启的形式来实现视线和心理感受的‘窥探视’欲望。
The concept of “box body” is introduced as the “obstacle body” placed in the spatial pattern, so that it is surrounded and staggered, and the desire of “prying eyes” of sight and psychological feelings is realized through the form of empty opening.
茗茶区采用‘井字格栅’的方式来延续天花的元素走向，底部内置景观区的位面，独立墙，顶地面的位面的独立存在，借助原有结构的斜面走向，制造‘斜向压缩’视角的体验感受。
The tea area adopts the way of “tic-tac-toe grid” to continue the direction of the elements of the ceiling. The level of the built-in landscape area at the bottom, the independent wall, and the level of the top ground exist independently. With the inclined direction of the original structure, the experience of “oblique compression” perspective is created.
木作盒体以半搭接的方式连接抬高区域，外搭部分以外凸部分的结构来作为半承受装饰构件，其他均保留原有的深浅结构部分，辅以灯光层次的二次强化分层。
The wood box body is connected to the elevating area in a half-lap way, and the structure of the outer lap part and the outer convex part is used as the semi-bearing decorative member, and the other parts retain the original deep and shallow structure part, supplemented by the secondary strengthening layering of the light level.
以结构作为呼应整体格局的线引，和谐整体后的再局部‘破坏’，以‘窗口’的形式来实现分区之间所建立的微妙关系，使其作为建筑体的概念来进行思考。
The structure is used as the line guide that echoes the overall pattern, and the local “destruction” after the harmony of the whole is realized in the form of “window” to realize the subtle relationship established between the partitions, so that it is considered as the concept of the building body.
∇ 平面图
项目信息
项目名称：Goodman 全空气系统_瑞安店
Project name: Goodman All Air Systems _ Rui ‘an Store
项目地址：浙江省，温州市，瑞安市
Project Address: Ruian, Wenzhou City, Zhejiang Province
主持设计师：兰斯，林思思
Host designer: Lance Lindse
主创及设计团队：隹聿设计工作室
Creative and design team: Zhui yu Studio
工程负责：夏兆武
Project leader: Xia Zhaowu
建筑面积：165 m²
Building area: 165 m²
项目完成时间：2023.9
Project Completion Time / 2023.8
摄影及剪辑：WM STUDIO
Plane Photography: WM STUDIO
