FDD STUDIO以右.白色容器，借听四季
White container, listen to the sound of the four seasons
∇ 地理位置
∇ 城市主要区域文化建筑聚合@西扎、张永和、王澍、隈研吾
光的维度：Dimensionality of light
光透过空气介质的传递，从无维的存在近而展现为多维的视觉感观，在触摸之间变得神秘与现实。当固有物质本身的形态，在光的表像与分解中呈现出不同的化学反应，籍此诞生多重情绪的链接。不同维度的光在既定的时空存在差异的共性，然而它有着不断突破差异共性向统一逆变的微观矛盾，让人在周而已复始中新生。
Light is transmitted through air medium, from a dimensionless presence to a multidimensional visual experience, shifting between mysterious and realistic with touches. When the inherent form of matter has different chemical reactions in the appearance and decomposition of light, the link connecting various emotions is emerged. Light of dimensions has a commonality of differences across a given space and time, yet it constantly breaks through the commonality of differences and reverses to a unity, a micro contradiction like a repetitive cycle in which people are revived.
∇ 现场施工记录
∇ 手稿
时间的重量：Weight of time
不经意的行走中，时间已经覆着在平面之间。向左或向右，向上或向下，像风吹过树叶，气流通过时间的速度，皮肤即刻觉知重量的存在。时间在室内场所的记忆中，容易被忽略，但由于它的链接作用，成为了隐藏深处的空间质量。
Unconsciously walking, time has been overlaid between planes. To the left or to the right, up or down, like breeze through leaves, the speed of airflow through time, the skin instantly feels its weight. Time is easily left out in the memory of interior spaces, yet its role of linking becomes the innermost quality of space.
内生与外延：Endogeny and epitaxy
透明玻璃阻隔了内外之间的表面物理关系，作为分界线，又兼属着二次物理的媒介。声音通过振动，由外向内传递，室内空间的五感因波动产生相对的反应，生成内空间的丰富性。当内在变化反作用于外部环境时，边缘不再受限，反应则像立体直觉一样，向着所需方向前进。室内外之间所有意识形态，在看似毫无关系的模式中，确紧密结合。
Transparent glass, as the demarcation line, blocks the surface physical relationship between interior and exterior, whilst it is a secondary physical medium. Sound is transmitted through vibration, from outside to inside, the five senses of interior spaces respond to the fluctuations and forms the richness of interior spaces. There is no boundary constraints when the inner change reacts to the outer environment, the response moves toward the desired direction like a three-dimensional intuition. All the ideologies between interior and exterior are closely integrated in a seemingly irrelevant pattern.
∇ 手稿
空间的距离：Distance of space
尺度形成缘于功能需求，转角处的通道，相对拥挤而产生不适的距离感。打破直角的锐力，折叠下游区域的线状，转向45度平面的斜面构造，促使两片二维平面向多维空间转换，缓解视觉与身体的压力，形成过渡空间的通过舒服性。
Dimension is formed to meet functional requirements, in common, the passageway at a 90 º corner is congested and creates a sense of distance that discomforts. Breaking the sharpness of right angle, fold the line of downstream area, convert to a structure with 45 º oblique planes, transforming the two 2D planes into a multi-dimensional space that relieves the visual and physical stress and presents patency.
∇ 手稿
消失的痕迹：Traces of disappearance
让“设计”消失，本身指向于设计的自由度，不受过度繁锁的约束，颠覆传统体系的自然生长。自在的设计方式，容易释放空间的个性和主张，从而获得精神和内在的享受。不确定性的思辨，在“设计之外”启迪“设计主体”，往往带来不可估量的价值。
The disappearance of “design” refers to the freedom of design, no subject to cumbersome constraints, that subverts the natural development of traditional system. A free design approach, easy to release the characteristics and assertion of the space, immersing in the spiritual and inner satisfaction. The thinking of uncertainty that inspires “design subject” “outside the design” often brings inestimable value.
盾去白色：Fade of white
白色的墙体成为自然光线的载体，明暗交错清晰可见。退让使白色更轻松的将四季的色彩引入内部，更替变化，永不停歇。安静的白，不是简单而论的平乏，它是具备多元的包容性和融合力，使空间内的结构和光影从物理上对其向心聚集。
The white wall becomes a carrier of natural light, highlights the interplay of light and dark. The humble white introduces the colors of four seasons into the interior, in perpetual cycles. Quiet white is not flat, yet it is diverse and inclusive, and conglomerates the structure and light to center.
∇ 项目原场地
项目信息
项目名称：FDD 艺术廊
项目地址：中国 宁波
项目时间：2022.04
设计公司：FDD STUDIO
设计主持：以右
装置设计：FDD STUDIO
产品设计：FDD STUDIO
媒体运营：孙予辰辰
Project Name: FDD ArtGallery
Project address: Ningbo, China
Project time: April 2022
Design Company: FDD STUDIO
Design Director: Yi You
Device design: FDD STUDIO
Product Design: FDD STUDIO
Media Operations: Sun Yu Chen Chen
