平介设计 | 上海唯因万境实验剧场酒吧-设计风向

在狄奥尼索斯的神性辉光中，人与人的裂隙迸发着愈合的岩浆，那疏离、充满敌意又枷锁缠身的自然，也终与失落的子嗣——人类，重缔盟约。此刻每个灵魂触摸到的，不止是和解与交融，而是穿透血肉藩篱的终极共相——所有存在在此熔铸成浑然一体。——尼采

Unter dem Zauber des Dionysischen schließt sich nicht nur der Bund zwischen Mensch und Mensch wieder zusammen: auch die entfremdete, feindliche oder unterjochte Natur feiert wieder ihr Versöhnungsfest mit ihrem verlorenen Sohne, dem Menschen.fühlt sich jeder mit seinem Nächsten nicht nur vereinigt, versöhnt, verschmolzen, sondern eins.——Nietzsche

空间叙事 / Spatial Narrative

从人类历史萌芽到现代社会的发展，精神文化活动始终伴随文明的演变。由歌舞、仪式、竞技到文学、诗歌，再到如今的影视、电子游戏、流媒体世代，随着社会的进步与发展，人们的角色身份日益多样化，传统形式已难以满足人们复杂的情感需求。唯因万境由此诞生，以传统的文娱休闲形式：戏剧为引子，融合社交、轻餐、酒吧、冥想与沙龙，打造一场文化与消费交融的空间实验。

From the dawn of human history to the development of modern society, spiritual and cultural activities have consistently evolved alongside civilizations. Spanning from song-dance rituals and competitive games to literature and poetry, then progressing to contemporary film, video games, and the streaming media era, the advancement of society has witnessed increasingly diversified human roles and identities. Traditional forms have gradually become inadequate in satisfying people’s complex emotional needs. It is within this context that WEIIN DRAMA emerges – using traditional theatrical entertainment as its foundation while innovatively integrating social interaction, light dining, bars, meditation, and salons to create a spatial experiment where cultural elements interweave with consumer experiences.

∇ 唯因万境主界面，WEIIN DRAMA Main entrance ©徐英达，黄迪

∇ 入口，Entrance ©徐英达，黄迪

∇ 首期剧目，Premiere Production ©唯因万境

古希腊人视酒为现实与精神的纽带，是满足物质需求之余，从生存的劳作中暂时解放的灵药。根据亚里士多德记载，希腊人每年都会通过畅饮、高歌、舞蹈及象征意义的庆典以祭祀酒神狄俄尼索斯——葡萄收获与酿酒之神。戏剧便源于酒神庆典中的歌舞表演。

The ancient Greeks viewed wine as a bridge between the physical and spiritual realms – an elixir that satisfied material needs while offering temporary liberation from life’s toils. According to Aristotle’s records, Greeks annually honored Dionysus, the god of wine, grape harvest, and winemaking, through ecstatic drinking, impassioned singing, ritual dances, and symbolic ceremonies. It was within these Dionysian rituals that theater itself was born, emerging organically from the choral performances and ecstatic celebrations dedicated to the wine deity.

∇ 狄俄倪索斯——酒与戏剧之神，Dionysus —— God of Wine and Theater

项目位于上海市浦东区前滩31乐荟商圈，整体室内面积880平方米。包含酒吧、轻餐、剧社、剧场等多重复合功能。在唯因万境，剧场与酒吧是戏与酒的交叉赋能。舞台与吧台打破传统界限，不必是平铺直叙的两个空间，通过非线性动线、灯光与结构设计——就如同戏剧讲究通过剧幕结构的编排、布景与灯光的变化来交代情节的与角色的转换一样，赋予空间起承转合的戏剧性，构建出一个环形的叙事空间，将分离的角色、事件、场景重新组织，让观众与演员共同编织故事，模糊观演边界。

The project is located in the Qiantan 31 Lehui Commercial District, Pudong New Area, Shanghai, with a total indoor area of 880 square meters. It integrates multiple composite functions including a bar, casual dining options, a drama club, a theater, and other versatile spaces. In WEIIN DRAMA, theater and bar converge through a synergistic interplay of performance and libation. The stage and the bar counter dissolve their conventional divide—no longer linear, isolated spaces but a choreographed ecosystem where non-linear circulation paths, lighting interventions, and architectural gestures operate as spatial “stage directions.” Much like theatrical dramaturgy manipulates acts, scenery, and lighting to orchestrate plot shifts and character metamorphoses, this design philosophy imbues the space with narrative cadence—transforming it into a cyclical story loop that reconfigures fragmented roles, events, and scenes. Here, audiences and performers co-author narratives within a permeable fourth wall, their identities fluidly oscillating between observers and protagonists amidst the intoxicating alchemy of drama and Dionysian revelry.